A daring young pilot embarks on an unexpected encounter that soars into thrilling danger and discovery.

Chinese pheasants set loose in Oregon in 1881 find it difficult to survive in their new home, where there are different kinds of predators, but eventually they multiply and create a breed of ring-necked pheasants that can be found throughout the country.

Big Fat Gypsy Weddings is a British documentary series broadcast on Channel 4, that explores the lives and traditions of several Irish Traveller families as they prepare to unite one of their number in marriage. The series also featured Romanichal in several episodes, and has been criticised for not accurately representing England’s Romani and Travelling community. It was first broadcast in February 2010 as a one-off documentary called My Big Fat Gypsy Wedding, filmed as part of the Cutting Edge series and voted Most Groundbreaking Show in the Cultural Diversity Awards 2010. A series of 5 episodes were later commissioned, and the series first aired in January 2011. A second series began airing in February 2012. A third series was not made, rather the show ended with six stand-alone specials.

The playful coupling of the Meisner Technique and the mimicry of birdsong leads to an emotional exploration into connection and intimacy.

After 1394 King Mircea the Elder, ruler of Wallachia, ponders the eventual consequences of a military alliance with the Poles versus one with the Turks.

The snooty Fernanda decides to leave Spain to visit her uncle in San Francisco in order to escape the attentions of the dandy, amorous Don Diego, but he follows her. She is rescued from a wild taxi ride by a passerby who owns a huge plumbing company. Believing him to be a common plumber, she snubs him, but he pursues her and a romantic rivalry is born.

Proud American presents five powerful singular stories all of which magnify the themes mentioned above. Our film is an emotional, inspirational, and visual journey depicting America and the everyday Americans who exemplify the best that we can be.

Film from the Leningrad Documentary Film Studio.

Osaka, 1993. Sunagawa, assistant to the Morita Family underboss, proposes the establishment of a "Commercial Mutual Aid Association" as a future source of funding for the group, stating his great desire to make it a success. However, Matsuura Yukichi, the Morita Family's underboss and boss of Kano Kenji, does not approve of the proposal, putting him and Sunagawa at deadly odds.

Yong-Nyeo is recovering at the hospital. Her daughter, a director from Seoul, comes to visit her; starting point of a family imbroglio.